养育之恩 The Kindness of Rearing

艺术家名字/ Artist Name： 谢忝宋 CHEAH THIEN SOONG

作品简介 ABOUT ARTWORK:

不一样的(红包袋)

红包是华人社会，一年一度新春，長輩给晚辈派红包的习俗。贤海设计师来访草堂要求设计一套红包袋。我引用最古老的文化(甲骨文)为主体，一套六張。首張开始，大篆为先、二、三、四、五，甲骨文四張为核心，最后草书包尾，创造一套与往年，不一样的红包袋。

Distinctive Red Envelopes
Red envelopes are a tradition in Chinese community, where elders give red envelopes to their younger relatives during the annual Chinese New Year celebration. During a visit to Cao Tang Men, designer Mr. Xian Hai requested the creation of a set of red envelope bags. I drew inspiration from the oldest form of Chinese script, Oracle Bone Script, as the central motif for a set of six envelopes. The first envelope commences with Large Seal Script, followed by the second, third, fourth, and fifth envelopes featuring Oracle Bone Script as the core design. The final envelope closes with cursive script, resulting in a collection of red envelope bags that are distinctly different from previous years.

艺术家简介：

世界杰出华裔画家
谢忝宋博士

谢忝宋草堂门金石书画会－创办人－会长
东方人文艺术馆－策划人－馆长－名誉馆长
中国国际报告文学研究会－中华文化传承委员会－顾问
南洋书画印研究社－社长

马来西亚美术史，上个世纪50年代，由第一代宗师［ 陈文希、鈡泗宾、刘抗、陈宗瑞］，始建第一个马来亚新文化艺术。谢忝宋是〈南洋风格〉第二代的继承者，亦是跨世纪，新南洋水墨的开拓者，也是当代南洋水墨艺术，一位极重要的舵手。

部分出版与个展
2008年 〈海外中国书画艺术〉当代名家专辑。
2010年〈新中国国礼六人集〉。
1999-2013年〈中外名人录辞典〉。
1999年 代表本国十位名画家，受中国文化部之邀展于中国美术馆。
2001年 代表本国五位画家，受邀〈奥林匹克美术大展〉于伦敦。作品被当局收藏。
2013年〈一代翘楚〉谢忝宋，刘大为，杨晓阳，欧阳中石，张海，五人专辑。
2013年受文化国家视觉美术馆，颁发“SAUT55” ， 视觉艺术家表扬贡献奖。
2015年 受邀我国视觉美术馆之邀，举行谢忝宋〈新南风〉水墨个人展。并出版金装本个人画册。

ARTIST BACKGROUND:

Dr. Cheah Thien Soong – An Outstanding Chinese Artist Worldwide

Founder and President of Cao Tang Men Eastern Arts Society.
Planner, Director, and Honorary Director of the Oriental Art & Cultural Association.
Advisor to the Chinese International Reportage Literature Research Association’s Committee for the Inheritance of Chinese Culture.
President of the Nanyang Arts Research Society.

In the history of Malaysian art, during the 1950s, the first generation of masters [Chen Wenxi, Zhong Sibin, Liu Kang, Chen Zongrui] laid the foundation for the New Culture Art of Malaya. Dr. Cheah is the inheritor of the “Nanyang Style,” representing the second generation, and is a trailblazer of New Nanyang ink painting (art) in the new century. He is a pivotal figure in contemporary Nanyang ink painting.